supermacro - In Focus Underwater Photography Blog https://blog.bluewaterphotostore.com Bluewater Photo's blog on the world of Underwater Photography Wed, 09 Apr 2025 09:10:48 +0000 en-US hourly 1 https://wordpress.org/?v=5.9.13 Todd Winner’s Wednesday Photo – Skeleton Shrimp https://blog.bluewaterphotostore.com/photo/todd-winners-wednesday-photo-skeleton-shrimp/ https://blog.bluewaterphotostore.com/photo/todd-winners-wednesday-photo-skeleton-shrimp/#respond Wed, 06 Feb 2013 17:13:27 +0000 http://www.bluewaterphotostore.com/blog/?post_type=photo&p=928 Skeleton Shrimp

Image and text by: Todd Winner One of the things I love about macro and supper macro is being able to show a subject in a way you never could with the naked eye. In fact, many of our super macro subjects can hardly be seen without magnification. We often catch some of these subjects […]

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Skeleton Shrimp

Image and text by: Todd Winner

One of the things I love about macro and supper macro is being able to show a subject in a way you never could with the naked eye. In fact, many of our super macro subjects can hardly be seen without magnification. We often catch some of these subjects in our normal macro shots only to discover them when viewing the image on a large screen. (Photography bycatch.) It can be quite a challenge to find and photograph these tiny creatures especially without cropping into the image in post. Below are the tools and techniques that helped me get the skeleton shrimp shot.

Tools & Techniques

First you have to be able to see the subject. On my housing I use the Nauticam 180 viewfinder. This gives me a big bright view of my subject for critical focus. I used the Canon EF 100mm f/2.8L Macro IS lens on a Canon 7D body. This lens will focus down to 1×1 but for extra magnification I added a SubSea +10 diopter. Using one of the flip holders like the Nauticam M67 can make using these diopters much more convenient. For lighting, I used 2 Ikelite 160 strobes and to help with focusing I had a Light and Motion Sola 600.  I noticed a number of skeleton shrimp on a yellow-orange tunicate. To separate the subject from the background, I aimed slightly up and waited for one to walk across the top. The +10 diopter gives you a very shallow depth of field so the soft out of focus area behind the shrimp has a nice bokeh effect even though it is not very far from the subject. Finally in Lightroom I added some vibrance, clarity and a small vignette to direct the viewer to the subject. Super macro can be a great way to spend a dive and best of all you probably won’t even have to swim far from the boat!

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New Spin on a Common Subject https://blog.bluewaterphotostore.com/photo/super-macro-potw/ https://blog.bluewaterphotostore.com/photo/super-macro-potw/#respond Mon, 24 Sep 2012 23:32:03 +0000 http://www.bluewaterphotostore.com/blog/?post_type=photo&p=361

Sometimes finding a subject that inspires you to lift the camera up to your eye is challenging.  I recently took my 105mm macro lens and SubSee +10 close-up lens with me to Anacapa Island, and I found my inspiration in a tiny, but common subject: a Christmas Tree worm.  The colorful feeding plume was a […]

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Sometimes finding a subject that inspires you to lift the camera up to your eye is challenging.  I recently took my 105mm macro lens and SubSee +10 close-up lens with me to Anacapa Island, and I found my inspiration in a tiny, but common subject: a Christmas Tree worm.  The colorful feeding plume was a perfect subject to use with my SubSee +10 diopter.

I used auto-focus to focus on my finger until I was close to 1:1, then I swung my +10 lens in front of the port.  Then I simply rocked back and forth until I achieved the right focal plane, and fired.  I used the SOLA 800 in red light mode as to not scare the worm into its hole, and adjusted my strobes accordingly for the desired lighting.

Equipment: Nikon D7000 in Sea & Sea housing, Nikon 105mm macro lens, SubSee +10 close-up lens, and dual Ikelite strobes set to manual power.

Settings: 1/200, F13, ISO 160, uncropped.

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